The Best Dancehall Songs of 2023

By
DancehallMag Team
DancehallMag is the leading independent publication covering Dancehall and Reggae music, the artists, and culture since 2019.

Some years in dancehall drift by on a handful of street bangers. 2023 was not one of those years.

The best dancehall songs of 2023 crossed borders, cracked Billboard charts, took over TikTok and still sounded like they were built for a Kingston dance at 3 a.m.

A Kittitian newcomer reached the Hot 100, a Montego Bay deejay turned a leaked snippet into a global dance, and one Zimi Records riddim seemed to supply half of Jamaica’s summer playlist.

What follows is our ranking of the twelve records that defined the year, weighed by impact on the charts, streaming and YouTube, and by that harder thing to measure: how loudly they rang out in the streets, on the stages and in the clubs. Some of these songs went global. Others ruled Jamaica. All of them still hold up.

1. Byron Messia, “Talibans” (2023)

No song travelled further in 2023. Released on January 20 through Ztekk and later housed on the album No Love, “Talibans” floated over a moody, melodic production from Kelly Beatz, EJ Fya and Spaceship Billy, with Byron Messia’s weary, sing-song delivery carrying the weight.

Marvin Sparks called it “the biggest dancehall song of the year,” and the numbers backed him up.

The Burna Boy remix, “Talibans II,” pushed it onto the Billboard Hot 100 at No. 99, which made Messia the first artist from Saint Kitts and Nevis ever to chart there.

By May 25 he had signed with Interscope, and the song went Gold with the BPI in the UK. No Love closed the year at No. 8 on Billboard’s Year-End Reggae Albums chart.

2. Teejay, “Drift” (2023)

“Drift” spread the way modern hits do. A DJ leaked it on TikTok, it became one of the platform’s most used sounds, and suddenly Usain Bolt and Cardi B were posting the dance.

Produced by DJ Mac, Panda and Top Braff Music, it is a light, bouncing record that Billboard said could pass for Afrobeats if not for its unmistakable dancehall drum programming.

It gave Teejay his first Billboard entry of any kind, debuting at No. 47 on R&B/Hip-Hop Airplay, and it later climbed to No. 40 there and No. 29 on Mainstream R&B/Hip-Hop Airplay.

A Warner deal followed, along with a public falling out with DJ Mac. Davido jumped on the official remix on December 15, French Montana added his own, and the Jamaica Observer crowned it Song of the Year.

3. Malie Donn, “V6” (2023)

At home in Jamaica, “V6” was the song you could not escape. It finished 2023 as the most streamed dancehall track on the island across both YouTube and Spotify.

By late in the year the official video had passed 13 million views, with roughly 20 million on YouTube overall.

The record came out of Ireland Records, the independent outfit run by David “Ireland Boss” Ireland, who turned down major label interest in the song. “I don’t want to be signed to anyone,” he told DancehallMag.

He was not shy about its standing either, insisting that when people compared it with “Drift” or “Mad Out,” “those songs are nowhere near.”

Billboard grouped it with “Talibans” and “Drift” as the dancehall records making major waves around the globe.

4. Kraff, “Rum Behavior” (2023)

Kraff arrived in 2023 with a party record that refused to leave. “Rum Behavior,” released on August 2 by Zimi Records and NowOrNever and produced by TheBuduDem, is a loose, swaggering tune about what happens after one drink too many, mixed with punch by Blackspyda.

It crept up the YouTube Jamaica weekly chart for eight weeks before reaching No. 1 in the week ending September 28, ending the five week run of Skeng’s “Sha La La (Sunday Mawnin).”

Dancing Rebel’s choreography had TikTok, in the Observer’s words, in a chokehold, and the paper named Kraff its Breakout Artiste of the Year.

The song kept travelling well into the next year, turning up on Kenny Allstar’s Rap Show on BBC Radio 1Xtra in April 2024.

5. Valiant, “Mad Out” (2023)

If you want the clearest proof that a song has crossed over at home, look at a stadium. In September, at Chris Brown’s Under The Influence concert, Valiant had the entire National Stadium singing the chorus of “Mad Out” back at him.

The track rides the Big Bunx Riddim, Franc White’s production for Zimi Records, released on July 21 at a steady 101 BPM. That riddim was the strongest single riddim story of the year, and “Mad Out” was its loudest cut.

It sat alongside Roze Don’s “Bakshat,” RajahWild’s “Wild Out,” Iwaata’s “Ten,” Najeeriii’s “Paddle Boat” and Konshens’ “Dip Suh.” The Observer’s year-end write-up summed it up neatly: Valiant had listeners “a mad out.”

6. Masicka, “Tyrant” (2023)

Masicka spent 2023 stepping onto a bigger stage. After signing with Def Jam early in the year, he dropped the video for “Tyrant” on May 23.

The song became the lead single from Generation of Kings, which finally landed on December 1. “Tyrant” is Masicka at his most cold-eyed and aspirational, with lines about Benz and Audi that the Observer said had everyone thinking about their children’s legacy.

World Music Views ranked it No. 3 for the year and called it a street anthem, which feels exactly right: this is a record for car speakers and corner sessions rather than playlists.

When the album arrived, it debuted at No. 2 on Billboard’s Reggae Albums chart, with “Tyrant” as its calling card.

7. Popcaan feat. Drake, “We Caa Done” (2023)

The year was only six days old when Popcaan and Drake reunited. We Caa Done” arrived on January 6 through OVO Sound as the lead single from Great Is He, the pair’s first link since “All I Need” and “Twist & Turn” on 2020’s FIXTAPE.

Co-produced by TRESOR and Batundi, it is a smooth, determined record, and Popcaan framed it simply: “We Caa Done” is all about persevering.

Theo Skudra shot the video in Turks & Caicos. On the charts it reached No. 16 on the Billboard Bubbling Under Hot 100 and No. 36 on the Canadian Hot 100, and it gave Popcaan his eighth UK Singles entry at No. 61. Great Is He went on to open at No. 3 on Billboard’s Reggae Albums chart.

8. Masicka & Jahshii, “Pieces” (2023)

Masicka’s second appearance on this list comes from a very different place. Released on February 10 through 1Syde Records, “Pieces” pairs his measured flow with Jahshii’s raw, gravelly energy, and the contrast is what makes it work.

The two even went behind the cameras and shot the music video themselves, a hands-on move that suited the grit of the song. Urban Islandz called it “one of the biggest dancehall songs of 2023,” and its pull was obvious early.

By February selectors were already building mixes around it, with one DJ set titled for the song itself. It was the kind of record that set the tone for the first half of the year before the summer anthems took over.

9. Skeng, “Sha La La (Sunday Mawnin)” (2023)

Skeng entered 2023 riding the wave of “Likkle Miss” with Nicki Minaj, a collaboration that won Collaboration of the Year at the Caribbean Music Awards.

He did not rest on it. “Sha La La (Sunday Mawnin)” gave him his own runaway hit, holding No. 1 on YouTube Jamaica for five straight weeks until Kraff’s “Rum Behavior” finally knocked it off in late September.

The title promises something gentle, but this is Skeng’s world, with his clipped, menacing delivery cutting across the melody in a way that only he pulls off.

He closed the year back in Nicki’s orbit, appearing on “Forward From Trini” from Pink Friday 2 in December.

10. Najeeriii, “Paddle Boat” (2023)

Another Big Bunx gem, “Paddle Boat” showed just how deep Zimi’s riddim ran. Najeeriii brings a playful, bouncy energy to Franc White’s production, and the hook is pure dance floor bait, the kind of tune that gets a whole room moving in one direction.

World Music Views ranked it No. 6 among the biggest songs of the year, a strong placing for an artist still building his name.

The momentum was real: in the same week Kraff’s “Rum Behavior” took over YouTube, Najeeriii was sitting at No. 1 on Jamaica’s Apple Music chart.

Three years on, “Paddle Boat” remains a reminder of how a single riddim can launch several careers at once.

11. RajahWild, “Wild Out” (2023)

RajahWild was the Observer’s runner-up for Breakout Artiste of 2023, and “Wild Out” is the reason.

Released on the Big Bunx Riddim, the track had female listeners, as the paper put it, “in a trance,” and by December 31 it had racked up 13 million YouTube views and counting.

It is a confident, flirtatious record with a hook that hangs around long after the song ends, and it fit naturally into the Zimi summer that also gave us “Mad Out” and “Paddle Boat.”

RajahWild did not let the moment pass, either. His follow-up “Go Go” was the No. 1 trending song on local YouTube charts in December, closing the year with him firmly in the conversation.

12. Jada Kingdom & The 9ine, “Turn Me On” (2023)

Rounding out the list is the year’s most seductive left turn. Produced by Rvssian and Dinay, “Turn Me On” strays from conventional dancehall, leaning into a slower, silkier groove that let Jada Kingdom’s voice take centre stage alongside The 9ine.

World Music Views ranked it No. 7 for 2023 and called it “the embodiment of sultry summer vibes,” which is as good a description as any.

It worked as a late night record and a beach day record at once, and it showed a willingness to stretch the genre’s edges. In hindsight, it also set the stage for what both artists would do in 2024.

Why 2023 Still Matters

Looking back from 2026, 2023 reads like a turning point. “Talibans” and “Drift” proved that a dancehall artist from the Caribbean could reach the Hot 100 or global TikTok on their own terms, blending sounds without losing the drum patterns that make the music what it is.

Meanwhile, “V6” showed an independent producer could rule the island while turning down the majors, and the Big Bunx Riddim reminded everyone that the one riddim, many voices tradition still runs Jamaica.

The year also cleared space for a new generation. Valiant, Kraff, RajahWild and Najeeriii stepped forward, while Masicka, Popcaan and Skeng raised their own ceilings.

Put these twelve on, front to back, and you hear a genre that was confident, restless and wide open.

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