For ten years, Young Jonn was barred from the UK. On the same day he finally headlined London’s OVO Arena Wembley, he dropped a seven track EP named after the city that kept him waiting.
Dear London landed alongside the Nigerian singer, songwriter and producer’s first headline show at the 12,500 capacity venue. He was reportedly granted leave to visit the UK for the long anticipated performance after a decade away, and he conceived the EP as something of a victory lap to mark the return.
The tracklist plays out like a story arc. It opens with Destiny, a title that barely needs explaining given the circumstances, and closes on Ws in the Chat, an uptempo salute to romance and success.
In between sit By 4, Shege, Elumelu, Glass in the Air and Hold Somebody. What you won’t find anywhere on it is a single guest feature.
That’s a real choice for an artist who has leaned on collaborators for past hits. Here Young Jonn handles every performance himself, putting his own vocals and songwriting at the center rather than sharing the spotlight on a day that was all about him.
Money is still the engine. The pursuit of it runs through the whole project, continuing an ethos that has powered much of his catalogue and, if you zoom out, a lot of contemporary Afrobeats‘ steady climb.
That’s one way to hear it. The other side of Dear London is quieter, with introspective lyrics about his London experiences sitting over a mix of melodic performances and rhythmic productions, so the flex and the reflection share the same seven songs.
The release also caps a busy stretch. His sophomore album Blue Disco arrived less than a year ago as a clear melodic leap, debuting at number one on Apple Music Nigeria’s albums chart, and that record followed his 2024 debut album, Jiggy Forever.

September had already brought the single Let It Go, so the month was full before Wembley even happened.
Squeezing a new EP and a debut arena headline into the same window shows how much momentum he’s riding right now.
Fans who waited years to see him on a UK stage got the show and the soundtrack on the same day. For Young Jonn, the timing turns a comeback into a statement about where he wants to be.
The bigger question is what London becomes for him from here. Plenty of Afrobeats acts have made the city a second home, and with the door finally open, Dear London feels less like a thank you note and more like a lease signing.
