Kabaka Pyramid didn’t announce his tour with a flyer full of dates. He led with a jab instead: “Dem a lie to demself dem no honest, might trick e crowd but no man no fool Jah yet.”
The actual tour news only shows up a few lines later in his Instagram post, almost as an afterthought. “Tour starts tomorrow,” he wrote, pointing fans to Kabakapyramid.com for the details.
What sits between those two lines is the more interesting part. “Nuff chattinz a gwaan,” he wrote, which roughly means there’s a lot of talk going around. Then he added, “We out here a bright light to di darkness.”
He doesn’t say who’s doing the chatting or what it’s about, and that ambiguity is doing a lot of work. Some followers will read it as a broad statement about honesty in the music business, while others will go looking for a specific target that the post never names.

That kind of split reading is familiar territory for Kabaka. He’s built his career on conscious, lyrically dense reggae rooted in Rastafari faith and sharp social commentary, so a post that invokes Jah against the dishonest isn’t out of character.
The sign-off “Intelligence ova dunceness” fits that same lane. It’s a slogan-style line that doubles as a mission statement, the kind of phrase fans of his bar-heavy approach tend to latch onto.
There’s a lighter side to the post too. He gave a shout to “mi marathon bredda @shomari77” and credited the video to @offanglephotos, small touches that make the announcement feel more like a crew heading out than a polished label rollout.
The backdrop matters here. Kabaka Pyramid won the Grammy for Best Reggae Album in 2023 for “The Kalling,” the project released through Damian Marley’s Ghetto Youths International, and that win put him in front of a much wider international audience.
Since then, his moves draw more attention from both longtime supporters and newer listeners who found him through the Grammy run. A tour announcement wrapped in a call-out is bound to get read in more than one way by those two crowds.
On the practical side, the post leaves plenty unanswered. The caption itself offers no tour name, no list of cities and no confirmed support acts, and everything routes back to his website.
That choice keeps the spotlight on the message rather than the logistics. For fans, it means checking the site before the first show tomorrow, and for anyone wondering who the “chattinz” line was aimed at, it means watching to see whether he addresses it from the stage.
