Konshens isn’t dodging the conversation. He’s putting it to a vote. In a new Instagram post, the dancehall star addressed Razor B directly with a mix of exasperation and humor, writing, “Please Razor B leggo mi shirt pan di interview dem now 🙏🏾😂.”
For anyone not fluent in patois, that’s essentially a plea for Razor B to stop pulling on him in interviews. The laughing emoji says a lot about how Konshens wants this to land: less beef, more eye-roll.
The post doesn’t spell out exactly what Razor B has said, but the subtext is easy to read. Konshens closed with a blunt question to his followers: “do u think i stole it or is he reaching.
That framing is the crux of the whole thing. On one side, Razor B has apparently been suggesting in interviews that something of his ended up in a Konshens track. On the other, Konshens is openly calling that a reach and daring the public to compare.
Rather than issue a formal statement, he’s taking it to the stage. “People catch me in HOUSTON this Saturday ill be performing both songs LIVE at Afro tech weekend all white💪🏾😀,” he wrote, followed by a one-word instruction: “Vote.”
Performing both songs in the same set is a bold move. If he’s confident the resemblance is surface-level, letting a live crowd hear them back to back is about as transparent as it gets. It also hands Razor B’s camp a very public moment to point at.
Similarity disputes are a familiar part of dancehall’s landscape. The genre has long run on riddims voiced by multiple artists, shared slang and recurring melodic hooks.
That means the line between influence and copying can blur fast, and fans often end up drawing it themselves.
Konshens has the catalog to handle that kind of scrutiny. The artist behind club staples like “Gal a Bubble” and “Bruk Off Yuh Back” has spent years building one of dancehall’s most recognizable international profiles, and he regularly performs well beyond Jamaica.
Razor B, for his part, isn’t quoted anywhere in the post, so his specific claims remain secondhand for now. Without his side laid out in full, it’s hard to gauge how much weight the accusation carries.
It could be a genuine grievance about a song or a talking point that simply took on a life of its own.
For now, Konshens seems to prefer letting the audience decide rather than trading shots across interviews.
He’s turned his comment section into a jury room, and Saturday’s all-white AfroTech weekend set in Houston could hand down the next verdict.
